He just needs to pass the bar now. But blue-collar Conor’s life spirals after a tangled affair at old-money seaside enclave in Teddy Wayne’s literary thriller
Peter Gomes wasn’t stingy with his superlatives when he introduced the trio of musicians about to perform at the Memorial Church on the evening of Oct. 30.
The fairy tales of Hans Christian Andersen have enchanted children the world over for more than two centuries with their verbal sorcery and expressive intensity. Now their iconic power has drawn the attention of a Harvard professor, who hopes to broaden our understanding of how those eye-widening fairy tales expand the imaginations of children.
In December 1989, a few weeks after the reunification of Germany, Leonard Bernstein ’39 raised his baton above the ruins of the Berlin Wall and conducted a special arrangement of Beethoven’s Ninth Symphony. The central statement of the work — “all men will be brothers” — captured the sentiment of those who saw a brighter future for the nation.
Carl Linnaeus believed that the fruit of the Tree of Knowledge was not an apple but a banana. He came to this conclusion in 1737, while studying plant specimens at Hartecamp, the estate of George Clifford, a wealthy Dutch banker and director of the Dutch East India Company. Clifford collected exotic plants from around the world and had succeeded in getting a banana plant to flower and bear fruit in his greenhouse. Linnaeus’ belief in the theological significance of the banana is enshrined in the name he gave it: Musa paradisiaca.
This November, Harvard University will mark the 400th anniversary of the birth of John Harvard, not the institution’s founder as he is sometimes credited, but rather its first major benefactor. Such a noteworthy anniversary warrants reflection, although, unfortunately, a great many details about both the history of John Harvard and the legacy of his library are lost to time.
Government censors in pre-Revolutionary France were so hypervigilant that under their watchful eyes no one with anything significant to say dared publish their works in their own country. The solution was to publish abroad and smuggle the contraband books into France where they were soon snapped up by eager readers.
Barefoot and dressed with thrift-shop elegance in a floor-length, taffeta gown with fingerless gloves and a discus-shaped hat, Marta Elena Savigliano read from her paper “Wallflowers and Femmes Fatales: Dancing Gender and Politics at the Milongas” with a tinkling Argentine accent and an air of fey imperturbability.
When you graduate from a University that counts dozens of U.S. presidents and Supreme Court justices — and hundreds of distinguished scholars, scientists, and Nobel Prize winners — among its alumni, it is easy, even for the most accomplished and talented, to slip through the cracks into obscurity. One such alumnus whose reputation has fallen victim to time and fashion is the painter Washington Allston, perhaps the most famous Harvard graduate you’ve never heard of.
Carl Linnaeus believed that the fruit of the Tree of Knowledge was not an apple but a banana. He came to this conclusion in 1737, while studying plant specimens at Hartecamp, the estate of George Clifford, a wealthy Dutch banker and director of the Dutch East India Company. Clifford collected exotic plants from around the world and had succeeded in getting a banana plant to flower and bear fruit in his greenhouse. Linnaeus’ belief in the theological significance of the banana is enshrined in the name he gave it: Musa paradisiaca.
On Oct. 19 at the Memorial Church, while a heavy rain pelted down outside, Marian Wright Edelman pelted a near-capacity audience with facts about America’s social failings. An American child is abused or neglected every 36 seconds, said the founder and president of the Children’s Defense Fund, and every 42 seconds a child is born without health care.
When the 11th hour struck on the 11th day of the 11th month of 1918, the four-year nightmare of World War I — “The Great War” — officially ended. The world awoke to find some 22 million dead and a like number physically wounded. Never before had any generation witnessed such concentrated death and destruction. In celebration of its 75th anniversary, the Memorial Church will host the following special events and services over the coming weeks.
Harvard President Drew Faust was about to cut the giant ribbon stretched across the stage of the New College Theatre when a shrill voice called out from the back of the audience:
Medieval history comes to lyrical life at Harvard as musicians perform an 800-year-old Ambrosian liturgical chant recently indetified in Harvard’s Houghton Library.
The Humanities Center at Harvard recently announced the inauguration of a postdoctoral fellowship program. The first class of fellows, who will be in residence for the 2008-09 year, includes two American and two German scholars.
Acclaimed actor, producer, and director Andy Garcia was honored by the Harvard Foundation for Intercultural and Race Relations on a recent (Oct. 16) visit to the University. The special invited guest was recognized for his work with at-risk youth and people with cancer. Garcia is the director of the feature film “The Lost City,” in which he co-stars with Bill Murray and Dustin Hoffman, and which was shown at a special Brattle Theatre screening on the evening of the actor’s visit.
Legendary film star and patron of the arts Robert Redford came to the Harvard Film Archive (HFA) last week (Oct. 11) for a sneak preview of “Lions for Lambs,” which Redford directed and which stars Meryl Streep and Tom Cruise. Redford was joined at the HFA by fellow cast members Michael Pena and Andrew Garfield, who took part in a panel discussion following the screening of the film.
The New College Theatre has yet to see its first performance, but already the building seems to echo with audience laughter and the pleasant dissonance of a tuning orchestra. In the lobby, one can almost hear a whisper of “break a leg” or the clink of glasses at a postproduction fête rising faintly from the polished wooden floorboards. More than 100 years of theatrical history live on in the New College Theatre, and a special exhibition now on display throughout the building will help to preserve that legacy.
In 1973, the Supreme Court, in Roe v. Wade, ruled that the U.S. Constitution protects a woman’s right to an abortion. But where did that right come from? The Constitution…
Verbs evolve and homogenize at a rate inversely proportional to their prevalence in the English language, according to a formula developed by Harvard University mathematicians who’ve invoked evolutionary principles to study our language over the past 1,200 years, from “Beowulf” to “Canterbury Tales” to “Harry Potter.”
Harvard’s newest space dedicated to the performing arts, the New College Theatre — formerly the site of the Hasty Pudding Theatre, located at 10-12 Holyoke St. — will open this fall under the auspices of the Faculty of Arts and Sciences (FAS) and managed by the Office for the Arts at Harvard (OFA).
Medieval history comes to life at Harvard University on Oct. 18, when students and guest musicians collaborate in the North American premiere of an 800-year-old chant repertory from Harvard’s Houghton Library.
Harvey Mansfield wants to reintroduce the concept of thumos into political science. As employed by Plato and Aristotle, thumos refers to the “part of the soul that makes us want to insist on our own importance.” Mansfield believes that modern political science has excluded thumos, and as a result has narrowed its understanding of what politics is really about.
The historical two-day celebration of Drew Faust’s inauguration as the president of Harvard began Thursday (Oct. 11) on a literary note. Nobel Prize-winning novelist Toni Morrison read from a work-in-progress…
A muster of remarkable musicians who also happen to be Harvard graduates gathered in Sanders Theatre Thursday night (Oct. 11) to serenade the soon-to-be inaugurated University President Drew Faust. The…
A masinko is about as simple as a stringed instrument can get — a wooden box with a neck protruding from one corner and a single string stretched across its face. The one Setegn Atanaw plays is the amplified version, airbrushed in red and yellow like a Fender Stratocaster.
Plaster reproductions of Maya and Aztec carvings, which preserve precious details now lost on the originals, are leaving dusty, haphazard storage for cleaning, cataloging, and crating that will prepare them for a new era of usefulness and relevance.
By all accounts, Daniel Patrick Moynihan was a funny man with a wide-ranging, brilliant, synthesizing mind. At the same time, many of his friends say, he had a gift for dramatic language that sometimes overshadowed his true intentions.
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