He just needs to pass the bar now. But blue-collar Conor’s life spirals after a tangled affair at old-money seaside enclave in Teddy Wayne’s literary thriller
A show by artist Maria Magdalena Campos-Pons, which examines issues of family and the Afro-Latin experience in America, opened Thursday at the Neil L. & Angelica Zander Rudenstine Gallery in the W.E.B. Du Bois Institute for African and African American Research.
Author Steven Pinker told a packed audience what is wrong with so much academic writing: It’s filled with abstract language, clunky transitions, clichés, “zombie nouns,” and “compulsive hedging.”
Harvard’s newly acquired Julio Mario Santo Domingo Collection is the largest of its kind in the world, centuries of art, literature, and popular culture artifacts related to the chief avenues to altered states of mind: sex and drugs.
Radcliffe graphic designer Jessica Brilli does what she loves and loves what she does, using her artistic talent in her personal and professional life. A reception will be held Nov. 8 from 5:30 to 7 p.m.
French historian Roger Chartier, whose work examines the history of books, publishing, and reading, explored the creation of literary archives and the appearance in the 1750s of authorial manuscripts during a talk at Radcliffe. “Take Note” will “consider the past and future of note taking on Nov. 1 and 2.
More than 30 collaborators, including four Harvard undergrads, take the stage in the American Repertory Theater’s (A.R.T.) production of “The Lily’s Revenge,” at Oberon through Oct. 28.
“A Storied Legacy: Correspondence and Early Writings of Joseph Story,” online and at Harvard Law School, goes deep into the life and work of the scholar, best-selling author, and Supreme Court justice.
Works by Le Corbusier and Joan Miró are back at the Carpenter Center after painstaking repair work by conservators at the Weissman Preservation Center.
Participants in a Harvard panel drew from their own experiences in a look at life for mixed-race families in the U.S.: “American Masala: Race Mixing, the Spice of Life or Watering Down Cultures?”
Cultural historian and author Joseph Horowitz offered hope for the future of classical music orchestras in the form of innovative partnerships and collaborations.
The stone sculpture “Gilgamesh” by the late Professor Dimitri Hadzi, who died in 2006, was donated to Harvard’s Mineralogical and Geological Museum by his wife, Cynthia.
Historian Diane McWhorter, a Harvard fellow, finds a surprising nexus between the racial segregation of Birmingham, Ala., in the early 1960s and some of the attitudes of the Third Reich.
Five of Harvard’s regional centers are teaming up on an outreach program to teachers that takes them on a literary world tour, through an online book club featuring readings that illuminate ordinary life in Libya, Morocco, the Dominican Republic, Russia, and Nigeria.
Over two days Harvard hosted a cohort of scholars in medieval sermon studies, a pursuit that helps illuminate the social and intellectual currents of the Middle Ages.
In honor of what would have been French chef Julia Child’s 100th birthday, the Radcliffe Institute for Advanced Study and the Schlesinger Library on the History of Women in America hosted an entertaining and informative daylong symposium.
Sponsored by the Woodberry Poetry Room, the Literary Homecoming drew representatives from the English Department, the Harvard Review, the Harvard Advocate, Speak Out Loud, Tuesday magazine, among others.
In the first lecture of the season’s American Literature and Culture Series, Harvard history Professor Jill Lepore previews her book on Jane Franklin Mecom, Benjamin Franklin’s little-known yet favored sister.
Roberto Mighty’s exhibit, “First Contact,” opens Sept. 23 with a one-time film screening and an artist presentation. The exhibit is the culmination of Mighty’s yearlong artist residency at the Harvard Forest. The exhibit continues through October.
The Harvard Divinity School has organized a series of working groups to explore the religious dimensions of the work of author Toni Morrison in the lead-up to her Ingersoll Lecture on Immortality.
Filmmaker Ric Burns, Harvard President Drew Faust, and scholars screened and discussed “Death and the Civil War,” a PBS documentary based on Faust’s book “This Republic of Suffering.”
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