Located on North Harvard Street, the ArtLab is the University’s latest Allston laboratory devoted to creative inquiry, research, and experimentation. Focused on interdisciplinary artistic collaboration, investigation, and connection, the ArtLab will be open to members of the University and the public this week.
“Winslow Homer: Eyewitness,” currently on view at the Harvard Art Museums, traces how the artist’s experience as an observer tasked with accurately documenting the conflict helped shape his career and informed much of his later output.
Carmen Arnold-Biucchi recently retired after almost two decades as the museums’ first curator of ancient coins. During her tenure she helped bring roughly 2,000 other coins to Harvard, small-scale works of art adorned with mythical creatures, ancient architecture, biblical references, important persons, and poignant dates.
In historian Philip Deloria’s new book, “Becoming Mary Sully: Toward an American Indian Abstract,” he re-examines the art of his “eccentric” great-aunt, particularly her 134 “personality prints,” three-panel pieces inspired, in many cases, by artists and celebrities including Babe Ruth, Gertrude Stein, and Amelia Earhart.
Stephanie Burt’s new book is a guide to understanding an art form that for many feels difficult to access. She talks about creating a “travel guide” for poetry.
Harvard’s Arnold Arboretum will stage a fresh take on “Pride and Prejudice,” Jane Austen’s tale of 19th-century love, on June 23 courtesy of the Actor’s Shakespeare Project and playwright Kate Hamill.
A new pairing on a second-floor wall overlooking the Harvard Art Museums’ courtyard has placed self-portraits of contemporary artist Kerry James Marshall alongside that of 17th-century Dutch painter Nicolas Régnier.
Radcliffe fellow Tuna Şare-Ağtürk’s current book project documents the treasures unearthed at Nicomedia, an ancient Roman city and seat of power for the Emperor Diocletian.
American Repertory Theater announced today it has selected internationally renowned architects Haworth Tompkins to design its future home on Harvard’s Allston campus.
“I see him as an ambassador to the world,” Harvard alumnus Walter C. Sedgwick says about the “Prince Shōtoku” sculpture he donated to Harvard Art Museums. A recent visit to the museum stirred memories of visiting the sculpture every summer at his grandparents’ home.
Author Julie Orringer’s latest novel, “The Flight Portfolio,” tells the story of Harvard graduate Varian Fry, a journalist and editor sometimes referred to as the “American Schindler,” who worked in France during World War II to help save Jewish members of Europe’s cultural elite from Nazi concentration camps. Orringer worked on the book during a Radcliffe fellowship.
Brothers Daniel and Patrick Lazour’s musical, “We Live in Cairo,” brings the immediacy of Egypt’s January 25 Revolution to the American Repertory Theater on May 14.
In June, Harvard’s Arnold Arboretum will host an Actors’ Shakespeare Project production of Jane Austen’s “Pride and Prejudice,” adapted by Kate Hamill, in the Leventritt Shrub and Vine Garden.
The rapper and record producer Kasseem Dean, also known as Swizz Beatz, and his wife, Alicia Keys, own the largest private collection of Gordon Parks’ photographs in the world. They’re sharing it at Harvard’s Ethelbert Cooper Gallery, and that’s just the beginning.
The new exhibit “Into Place,” represents many of the capstone projects of recent graduates or current Harvard Ph.D. students pursuing a secondary field in Critical Media Practice, a 10-year-old program that expands the way students in Harvard’s Graduate School of Arts and Sciences engage with their scholarship.
This weekend’s Arts First festival showcases performances, exhibitions, and art-making opportunities for and by Harvard students, faculty, and affiliates, including international dance, many music genres, stand-up and improv comedy, theater, public art, poetry, experimental performances, and much more.
Featured series 
